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By Rich Seiling
Hopefully, my last article awakened you to the
need for a well planned backup strategy. To help you decide which backup
solution is right for you, we need to look at some issues that are integral
to an effective backup strategy: Redundant copies and redundant locations.
Redundancy
Redundancy means having multiple copies of your original data. The whole
reason we want a backup in the first place is because many things can
cause you to lose your data. If something can go wrong with your original
data, then something can also go wrong with your backup. Redundancy is
a way to stack the deck in your favor.
One copy
does not provide enough redundancy. If you’ve just lost your entire
hard drive and there is a problem with your one backup copy, you will
be very sad. Sure, your odds are better than having no backup at all,
but not as good as they could be. By making more copies, we increase redundancy.
Two copies is better than one...but from what I’ve learned, three
is the best minimum baseline for a backup. With three copies (stored as
described below) the odds of NOT losing your data are significantly in
your favor. Having more than three backups will give you .1 or .2 percent
better odds, but it starts to double or even triple the costs. If you
don’t make some educated gambles, your backup could cost more than
the value of your original data!
So, lets
settle on three copies plus the original as our “ideal” backup
for photographic images.
Redundant Locations
Now that you have three copies of your data (plus the original, which
is our working copy) you need to decide where to put those extra copies.
If all of the copies are in the same place, they are all subject to any
physical disasters that may befall that location. This might be a building
fire, earthquake, flood, tornado, wildfire, your two-year-old son, the
neighbor’s kids, the dog--use your imagination! Ideally, you would
have all three copies in multiple locations, but this could get expensive
and so complex that it would be too overwhelming to maintain.
At a minimum, you want to have one copy off site. I think the best bet
for the primary offsite location is a safety deposit box in a bank. They
call them "safes" for a reason--a safety deposit box offers
a good mix of security and fire protection. You might want to consider
a smaller branch bank in this day and age, as bigger buildings make bigger
targets. One of the minor footnotes to the tragedy of 9/11 was the loss
of the majority of the JFK photo archive, which was stored in one of
the twin towers.
Safety deposit
boxes are not cheap when you consider how small they are, so the second
location might be at your parent’s house, or the home of a good
friend or relative. For an extra measure of protection, double bag
the backup in a ziplock bag to prevent water damage, and put it in
a small
fire safe from Costco.
Likely, you’ll
be keeping at least one copy at home. If you plan on doing this, invest
in a small fire safe and double ziplock the bag as recommended above.
Now, I know
some of you may be questioning the fire safe advice. After all, how well
do they really work? That’s a good question, and I hope none of
you ever have to find out. A fire safe may or may not guarantee the safety
of your backup media, but it does stack the odds in your favor. It’s
better than nothing.
I know many
photographers who buy fireproof gun safes to hold their cameras and negatives.
Gun safes offer a great value, since they provide a good amount of space,
and they protect from fire as well as theft. One local manufacturer has
some impressive pictures
of how well their product worked in a total burn down situation.
How far you
want to take all of this is up to you. The key is to come up with a solution
that makes it easy for you to store your media. If you have to drive
30 minutes one way to put a set of DVDs in the safety deposit box,
you’ll
probably do it less often then if it’s five minutes away. We’re
not only trying to solve technical failures, but human failures as well.
A perfect solution that you never use doesn’t protect anything.
Interested
in learning more? Read part one or part
three on this topic.
Copyright
2004 Richard Seiling, All Rights Reserved. This page may not be reproduced
without the permission of the copyright holder.
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